采泥艺术:【2019 台北国际艺术博览会 ART TAIPE

2020-05-29
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采泥艺术【2019 台北国际艺术博览会 ART TAIPEI】霍刚 x 李光裕采泥艺术:【2019 台北国际艺术博览会 ART TAIPE

霍刚 HO Kan|抽象2018-026 Abstract2018-026|2018|油彩、画布 Oil on canvas|100x80cm

采泥艺术:【2019 台北国际艺术博览会 ART TAIPE

霍刚 HO Kan|抽象2015-032 Abstract2015-032|2015|油彩、画布 Oil on canvas|100x100cm

采泥艺术:【2019 台北国际艺术博览会 ART TAIPE

李光裕 LEE Kuang Yu|响尾 Swishing Tail|2019|铜 Bronze|30x62x103cm

采泥艺术:【2019 台北国际艺术博览会 ART TAIPE

李光裕LEE Kuang Yu|春神 Spring|2019|铜 Bronze|113x114x174cm

采泥艺术:【2019 台北国际艺术博览会 ART TAIPE

李光裕LEE Kuang Yu|伏心 Subduing|2014|铜 Broze|147x125x237 cm

采泥艺术:【2019 台北国际艺术博览会 ART TAIPE
    展期

    日期:2019-10-18 ~ 2019-10-21

    地点

    台北市敬业一路128巷48号1楼

    参展艺术家

    霍刚,李光裕

    采泥艺术:【2019 台北国际艺术博览会 ART TAIPE采泥艺术

    台湾,台北市

      2019 台北国际艺术博览会 ART TAIPEI

      展位:N07
      霍刚 x 李光裕

      公共艺术:PA2
      李光裕 -伏心

      2019 ART TAIPEI
      Booth:N07
      HO Kan x LEE Kuang-Yu

      Public Art:PA2
      LEE Kuang-Yu —Subduing

      SVIP:
      10.17|12pm-3pm

      VIP :
      10.17|3pm-9pm
      10.18|11am-2pm

      Date :
      10.18|2pm-7pm
      10.19|11am-7pm
      10.20|11am-7pm
      10.21|11am-6pm

      Venue :
      台北世界贸易中心 展览一馆|Taipei World Trade Center Exhibition Hall 1

      [ 霍刚 x 李光裕 ]
      采泥展位:N07

      采泥艺术很荣幸于「2019台北艺术博览会」以双个展的形式,展出台湾知名艺术家霍刚与李光裕的最新创作。李光裕为台湾当代雕塑的代表艺术家,霍刚则以华人几何抽象艺术先锋尤为着名。两位近年来皆活跃于国内外艺坛,李光裕更于2017年受邀到圣马利诺国家馆,于第57届威尼斯双年展举办「有无之际-李光裕大型个展」,2018年李光裕回到故乡高雄,于高雄市立美术馆举办「空间.诗.人:李光裕创作研究展」。霍刚则在2018年受邀于米兰蒙札皇宫美术馆举办个人大型回顾展「形色之外」。本次特于台北艺博以双个展呈现两位知名艺术家的作品,希冀完整呈现其最新的创作风格与内涵。

      本次展出李光裕最新创作「猫系列」,其乃是李光裕将「镂空造形」与「片状结构」的创作表现进行更为完善的实践,创作手法更贴近「立体主义(Cubism)」的表现形式:将物体进行破坏与分解,以解构再建构的方式,消解传统雕塑的量感。猫的形体被简化仅剩骨架,以片状的线条与镂空造形作为结构,搭配线条转折、顿挫等表现性形塑猫只各种型态的动作、表情与姿态,无论是卧姿、走路、站姿,李光裕以简单的线或面表现立体空间的写意技法来呈现,简约精準赋予猫只体态更鲜活的描绘,雕塑空间也在虚实转化,在线条、空间交替中,赋予造形更多留白的想像,呈现李光裕更趋成熟、运用自如的造型雕塑实力。

      另外,本次亦展出的霍刚新油画创作。不同于早期作品所持有深沈的神秘色彩与形象,近年来,霍刚的作品色彩表现更趋明快,善用对比来营造和谐且统一的视感。他多以简单线条与几何符号形塑画面的丰富构成,或是动态回旋,或是透视景深,在平面视觉上开创立体空间的多重表现。创作手法也较早期作品更为自在挥洒,用色奔放自由,造形纷呈轻快,画面构图更趋简约纯粹,紧凑中更见灵活。在华人几何抽象艺术的发展史上,霍刚可谓先驱代表,并始终坚持几何抽象艺术的开创,透过线条、几何与色块的元素实验着绘画本质的种种可能性,真正开创属于霍刚独树一格的东方几何抽象美学。

      采泥艺术很荣幸于本届台北艺博引荐李光裕与霍刚最新作品,其以臻于成熟、圆融且大器的艺术表现活跃于艺坛,这次展出的新作揉和更深厚精炼的创作功力呈现在观众眼前,体现艺术家孜孜矻矻致力于创作的执着与毅力,也以持续不断的创新引领着华人当代艺术的未来。采泥艺术希冀透过本展的呈现,让国内外的艺术爱好者得以了解台湾在雕塑以及抽象艺术的表现上,卓越精湛的创作实力,透过台北艺博的平台再次向国际发声,作为台湾软实力的最好证成。

      HO Kan x LEE Kuang-Yu

      Booth : N07

      Chini Gallery is delighted to present a duo exhibition featuring Taiwan’s renowned artists, Ho Kan and Lee Kuang-Yu, at the 2019 Art Taipei. Whereas the former is celebrated for his abstract art in the Asian art scene, the latter is a well-known contemporary sculptor from Taiwan. In recent years, the two artists have been active in Taiwan’s and international art scene. In 2017, Lee was invited to present a solo exhibition, To Have and Have Not, at the San Marino Pavilion in the 57th Venice Biennale. In 2018, Ho Kan also presented a large-scale retrospective, Beyond Shapes and Colors, at the Villa Reale of Monza in Milan, Italy. The duo exhibition at this year’s Art Taipei will comprehensively display the latest creative style and works by these two eminent artists.

      This time, Lee will show his latest Cat Series, which is a more comprehensive combination of the artist’s signature “openwork technique” and “sheet-metal structure,” demonstrating a creative form reminiscent of Cubism. By first breaking and taking his subject matter apart before deconstructing and reconstructing its image, the artist eliminates the sense of volume characterizing traditional sculpture. The forms of cats are simplified down to structures outlined and delineated with sheet-metal and openwork. Furthermore, the turning and pausing of the rhythmic contour vividly portrays the movements, expressions and gestures of different cats. Whether lying down, walking or standing up, Lee uses simple the elements of line and plane to create three-dimensionality in a lyrical manner, elegantly and precisely capturing the bearings and postures of the cats while revealing a clever interplay of the real and the void in the sculptural space. Amidst alternating contour and space, the artist adds more imagination to sculptural form, demonstrating his mature skills in mastering the art of sculpture.

      The exhibition shows Ho Kan’s oil paintings created in recent years. Different from his earlier works known for a profoundly mysterious color and imagery, Ho’s recent works reveal a brighter and livelier air through his use of contrast that builds a harmonious and unifying visuality. Ho uses simple lines and geometric symbols to enrich the composition, using dynamic spiral and depth created with perspective to unfold multiple three-dimensional spaces in two-dimensional planes. His creative approach also becomes more unrestrained, with a more colorful palette and lighter forms, unveiling a much purer composition while manifesting vibrancy in compact images. In the history of Asian abstract art, Ho is a trailblazer, who has insisted in his innovative approach to abstract expression. Combining geometric shapes and color blocks, he experiments with all the possibilities of the nature of painting, building his unique aesthetics of Eastern geometric abstract. Furthermore, the exhibition also features Ho’s pencil drawings and ink paintings, which are rarely shown in public.

      In this year’s Art Taipei, Chini Gallery is pleased to present the latest works by Lee Kuang-Yu and Ho Kan, who have been active and well-received for their mature, well-rounded and magnificent art. The new works exhibited this year materialize the artists’ refined techniques as well as their steadfast endeavors and perseverance in art-making, which have enabled them to continuously shape the future of Asian contemporary art. With this duo exhibition, Chini Gallery hopes to provide a window to art enthusiasts in Taiwan and abroad to understand Taiwan’s sculpture and abstract art as well as our artists’ remarkable artistic genius. Through the platform of Art Taipei, the gallery once again engages the international audience and invites all to witness Taiwan’s soft power.
      [ 李光裕 -伏心 ]

      公共艺术展位:PA2

      李光裕以东方文化的守护神「伏虎尊者」造型为发想,并以书法线条的片状结构营造动感,透过武士一跃而下的庞然神力,老虎被降服的表情,生动地刻画武士成功制服猛兽的沛然能量与胆识。此作品命名为「伏心」,意喻爲人心之贪婪比猛虎还兇,必须要有如凌空而降的武士般强大的正念,才能降伏贪嗔痴的心念,故艺术家以「伏虎」之象引喻为「伏心」之意。

      LEE Kuang-Yu —Subduing

      Public Art Booth:PA2

      Drawing inspiration from the image of “the tiger-taming Luohan” in Eastern culture, the artist employs calligraphic line to create a sense of vivid movement with his signature sheet structure, demonstrating the power in the fighter’s action as well as the subdued tiger. Depicting the dramatic and intense scene, the work shows the fighter’s vigorous energy and bravery through his success of overcoming a beast. As much as this work illustrates the fearlessness in facing adversity, it is also a metaphor for conquering one’s limit to transcend the beguiling greed, anger and ignorance in one’s mind. It is the debut of this artwork at Art Taipei.

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